Talaksan:Boilly-Point-de-Convention-ca1797.jpg

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Boilly-Point-de-Convention-ca1797.jpg((650 × 518 pixel, laki ng talaksan: 64 KB, uri ng MIME: image/jpeg))

Buod

Louis-Léopold Boilly: Absolutely no agreement  wikidata:Q54802034 reasonator:Q54802034
Artista
Louis-Léopold Boilly  (1761–1845)  wikidata:Q715909
 
Louis-Léopold Boilly
Paglalarawan French painter, miniaturist at engraver
Petsa ng kapanganakan/kamatayan 5 Hulyo 1761 Baguhin ito sa Wikidata 6 Enero 1845
Lugar ng kapanganakan/kamatayan La Bassée Paris
Panahon ng paghahanap-buhay 1776 Baguhin ito sa Wikidata–1844 Baguhin ito sa Wikidata
Lugar ng hanap-buhay
Kontrol sa awtoridad
artist QS:P170,Q715909
image of artwork listed in title parameter on this page
Pamagat
Français : Point de Convention
English: Absolutely no agreement
Object type painting Baguhin ito sa Wikidata
RTVE genre art Baguhin ito sa Wikidata
Paglalarawan
English: A painting by Louis-Léopold Boilly showing some of the transient and ephemeral extremes that accompanied the adoption of strongly neo-classically influenced styles in Paris during the second half of the 1790s (ca. 1797). The woman has been interpreted as a prostitute (who is disdaining the inadequate coin proferred by the fashionable gentleman getting his shoes shined at left), so her outfit obviously should not be taken as typical of trendy Parisian women's attire of the time. On the other hand, 18th-century and 19th-century streetwalkers did not generally wear clothing that looks extra "sexy" in 21st-century eyes as compared with normal women's attire of the time (streetwalkers sported faded finery worn in an inappropriate context more often than excessively revealing attire -- see Image:1787-prostitutes-caricature.jpg, for example), and the idea that such an outfit could be worn on the streets of Paris tells its own story (it could never have been worn outdoors in London).
Depicted people Merveilleuse Baguhin ito sa Wikidata
Petsa circa 1797
date QS:P571,+1797-00-00T00:00:00Z/9,P1480,Q5727902
Midyum painting
Sukat height: 310 cm Baguhin ito sa Wikidata; width: 400 cm Baguhin ito sa Wikidata
dimensions QS:P2048,+310U174728
dimensions QS:P2049,+400U174728
Talasanggunian Athenaeum artwork ID: 79598 Baguhin ito sa Wikidata
Pinagmulan/Litratista Unknown sourceUnknown source
Permiso
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This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

The author died in 1845, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

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checksum English

c184b0bec9c17219578d8a0dd4000213a1f51451

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65,536 byte

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518 pixel

width English

650 pixel

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ngayon12:43, 4 Marso 2022Thumbnail para sa bersyon noong 12:43, 4 Marso 2022650 × 518 (64 KB)ChassipressVersion originale non détourée
15:39, 25 Mayo 2006Thumbnail para sa bersyon noong 15:39, 25 Mayo 2006872 × 672 (180 KB)Churchh''Point de Convention'' ("Absolutely no agreement"), a painting by Louis-Léopold Boilly showing some of the transient and ephemeral extremes that accompanied the adoption of strongly neo-classically influenced styles in Paris during the second half of th

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