Talaksan:Napoleon 2.jpg

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Thomas Lawrence: Napoléon-François-Charles-Joseph Bonaparte, (1811–1832), styled King of Rome, later Duke of Reichstadt (called Napoléon II)   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Artista
Thomas Lawrence  (1769–1830)  wikidata:Q312096 s:en:Portal:Thomas Lawrence
 
Thomas Lawrence
Paglalarawan British pintor at portraitist
Petsa ng kapanganakan/kamatayan 13 Abril 1769 Baguhin ito sa Wikidata 7 Enero 1830 Baguhin ito sa Wikidata
Lugar ng kapanganakan/kamatayan Bristol Londres
Panahon ng paghahanap-buhay 1780 Baguhin ito sa Wikidata–1830 Baguhin ito sa Wikidata
Kontrol sa awtoridad
artist QS:P170,Q312096
Pamagat
Napoléon-François-Charles-Joseph Bonaparte, (1811–1832), styled King of Rome, later Duke of Reichstadt (called Napoléon II)
Object type painting
object_type QS:P31,Q3305213
Petsa 1818 - 1819
date QS:P571,+1818-00-00T00:00:00Z/8,P1319,+1818-00-00T00:00:00Z/9,P1326,+1819-00-00T00:00:00Z/9
Midyum oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Sukat height: 57.8 cm; width: 48.6 cm
dimensions QS:P2048,57.8U174728
dimensions QS:P2049,48.6U174728
Repository: Fogg Art Museum, Harvard University Art Museums
Bilang sa pagtatamo
Item Identifier: 1943.197 (Accession Number)
Kasaysayan ng bagay

Samuel Woodburn, London, England (by 1833). Duc de Bassano, (by 1896); to his daughter, the Princesse de Bassano, sold; [through Martin Birnbaum]; to Grenville L. Winthrop (1938–1943) bequest; to Fogg Art Museum, 1943.

  • Notes: S. Woodburn lent the painting to the British Institute exhibition in 1833. Aug. 1896 "The Century Magazine" gives the owner as the Marquis de Bassano.
Exhibition history
  • A Selection of the Works of Sir Joshua Reynolds, Benjamin West, Esq., and Sir Thomas Lawrence, the Last Three Presidents of the Royal Academy, with Which the Proprietors Have Favoured the Institution, British Institution, London, 01/01/1833 - 12/31/1833
  • Exposition de Portraits du Siècle, École Nationale des Beaux-Arts, Paris, 04/25/1883 - 12/31/1883
  • Portraits de Femmes et d'Enfants, École Nationale des Beaux-Arts, Paris, 04/30/1897 - 12/31/1897
  • Tentoonstelling twee eeuwen Engelsche kunst [Two Centuries of British Art], Stedelijk Museum, Amsterdam, 07/04/1936 - 10/04/1936
  • Grenville L. Winthrop: Retrospective for a Collector, Fogg Art Museum, Cambridge, 01/23/1969 - 03/31/1969
  • Master Paintings from the Fogg Collection, Fogg Art Museum, Cambridge, 04/13/1977 - 08/31/1977
  • France and the Portrait, 1799-1870, Harvard University Art Museums, Cambridge, 12/03/1994 - 01/29/2002
  • A Private Passion: 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection, Harvard University, Musée des Beaux-Arts de Lyon, Lyon, 03/15/2003 - 05/26/2003; National Gallery, London, 06/25/2003 - 09/14/2003; The Metropolitan Museum of Art, New York, 10/23/2003 - 01/25/2004
  • For Students of Art and Lovers of Beauty: Highlights from the Collection of Grenville L. Winthrop, Harvard University Art Museums, Fogg Art Museum, Cambridge, 04/16/2004
Guhit ng pagbanggit Harvard Art Museums/Fogg Museum, Bequest of Grenville L. Winthrop
Mga inskripsiyon Label: back of canvas: Mlle. Debassans / 11 Rue du Mont Durville / Paris XVI. [circular stamp over this label, mostly illegible, includes "Centrale."]
Pinagmulan/Litratista http://www.harvardartmuseums.org/collections/object/230446?position=1 (direct link)

Paglilisensiya

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

The author died in 1830, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.

This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

Nakilala ang talaksan bilang malaya mula sa nalalamang mga paghahangga sa ilalim ng batas sa karapatang-ari, kasama ang lahat ng mga kaugnay at karatig na mga karapatan.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

Tala ng orihinal na pagkarga

Uploaded 22:26, 2 Aug 2004 to de.wikipedia de:User:Anathema.

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Araw/OrasThumbnailMga dimensiyontagagamitKumento
ngayon11:34, 29 Abril 2017Thumbnail para sa bersyon noong 11:34, 29 Abril 20171,984 × 2,348 (620 KB)Ras67losslessly cropped with Jpegcrop
11:34, 29 Abril 2017Walang thumbnail2,015 × 2,400 (689 KB)Ras67high resolution
10:21, 28 Mayo 2005Walang thumbnail434 × 512 (248 KB)AndreasPraefcke* Title: Napoléon-François-Charles-Joseph Bonaparte, (1811-1832), styled King of Rome, later Duke of Reichstadt (called Napoléon II) * Item Identifier: 1943.197 (Accession Number) * Work Type: Painting * Creator: Thomas Lawrence ((Bristol, 1769 - 1830,

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