Frisson

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Piloerection (goosebumps), ang pisikal na bahagi ng frisson

Ang frisson (mula sa wikang Pranses para sa "panginginig"), na kilala rin bilang aesthetic chills o musical chills ay isang psychophysiological response sa rewarding auditory at/ o visual stimuli na kadalasang nag-uudyok ng isang kasiya-siya o kung hindi man ay positively-valenced affective state at lumilipas na paresthesia (paninginig o panginginig ng balat), kung minsan. kasama ang piloerection (goose bumps) at mydriasis (pupil dilation).[1][2][3] Ang sensasyon ay karaniwang nangyayari bilang isang banayad hanggang katamtamang kasiya-siyang emosyonal na tugon sa musika na may pangingilig sa balat;[1] Ang piloerection at pupil dilation ay hindi kinakailangang mangyari sa lahat ng kaso.[3]

Ang sikolohikal na bahagi (ibig sabihin, ang kasiya-siyang pakiramdam) at pisyolohikal na mga bahagi (ibig sabihin, paresthesia, piloerection, at pupil dilation) ng tugon ay pinapamagitan ng reward system at sympathetic nervous system, ayon sa pagkakabanggit.[3] Ang stimuli na gumagawa ng tugon na ito ay tiyak sa bawat indibidwal. Ang Frisson ay may maikling tagal, na tumatagal lamang ng ilang segundo.[4] Kasama sa mga karaniwang stimuli ang malalakas na sipi ng musika at mga sipi—gaya ng appoggiaturas at biglaang modulasyon —na lumalabag sa ilang antas ng pag-asa sa musika.[5][6] Habang ang frisson ay karaniwang kilala sa pagiging evoked sa pamamagitan ng mga karanasan sa musika, ang kababalaghan ay maaari ding ma-trigger sa pamamagitan ng tula,[7] mga video,[8] kagandahan sa kalikasan o sining,[9] o kahit na sa pamamagitan ng mahusay na pananalita.[10] Sa panahon ng frisson, nararamdaman ang panginginig o pangingilig sa balat ng ibabang likod, balikat, leeg, at/o mga braso.[11][4] Ang pandamdam ng panginginig ay minsang nararanasan bilang isang serye ng mga 'alon' na umaakyat sa likod nang sunud-sunod at karaniwang inilalarawan bilang "nanginginig sa gulugod." [3][4] Ang mga follicle ng buhok ay maaari ding sumailalim sa piloerection.[3][11][4]

Ipinakita na ang ilang nakakaranas ng musical frisson na ulat ay nagbawas ng excitement kapag nasa ilalim ng pangangasiwa ng naloxone (isang opioid receptor antagonist), na nagmumungkahi na ang musical frisson ay nagdudulot ng mga endogenous na opioid peptide na katulad ng iba pang kasiya-siyang karanasan.[4] Maaaring mapahusay ang Frisson ng amplitude ng musika at ng temperatura ng kapaligiran. Maaaring mapahusay ng mga cool na silid sa pakikinig at mga sinehan ang karanasan.

Mga sanggunian[baguhin | baguhin ang wikitext]

  1. ↑ 1.0 1.1 Harrison L, Loui P (2014). "Thrills, chills, frissons, and skin orgasms: toward an integrative model of transcendent psychophysiological experiences in music". Frontiers in Psychology. 5: 790. doi:10.3389/fpsyg.2014.00790. PMC 4107937. PMID 25101043.
  2. ↑ Colver MC, El-Alayli A (May 2016). "Getting aesthetic chills from music: The connection between openness to experience and frisson". Frontiers in Psychology. 44 (3): 413–427. doi:10.1177/0305735615572358.
  3. ↑ 3.0 3.1 3.2 3.3 3.4 Mori K, Iwanaga M (April 2017). "Two types of peak emotional responses to music: The psychophysiology of chills and tears". Scientific Reports. 7: 46063. Bibcode:2017NatSR...746063M. doi:10.1038/srep46063. PMC 5384201. PMID 28387335. People sometimes experience a strong emotional response to artworks. Previous studies have demonstrated that the peak emotional experience of chills (goosebumps or shivers) when listening to music involves psychophysiological arousal and a rewarding effect. However, many aspects of peak emotion are still not understood. The current research takes a new perspective of the peak emotional response of tears (weeping, lump in the throat). A psychophysiological experiment showed that self-reported chills increased electrodermal activity and subjective arousal whereas tears produced slow respiration during heartbeat acceleration, although both chills and tears induced pleasure and deep breathing. A song that induced chills was perceived as being both happy and sad whereas a song that induced tears was perceived as sad. A tear-eliciting song was perceived as calmer than a chill-eliciting song. These results show that tears involve pleasure from sadness and that they are psychophysiologically calming; thus, psychophysiological responses permit the distinction between chills and tears. ...
    Because such chills are a clear, discrete event and have the advantage of being elicited by music in emotion research, previous studies have examined the psychophysiological responses to music chills by measuring autonomic nervous system activity. To date, empirical studies have repeatedly shown that music chills are accompanied by increasing electrodermal activity (EDA) due to activation of the sympathetic nervous system (SNS10,11,12,13,14). Further, a recent study suggested that chills are associated with enlarged pupil diameter, and there exists a positive relationship between chills and SNS activity15. Brain-imaging studies have also suggested that chills activate reward-related brain regions, such as the ventral striatum, orbitofrontal cortex, and ventromedial prefrontal cortex16,17. Furthermore, music chills are accompanied by rewarding dopamine release in the caudate nucleus and nucleus accumbens in the striatum18. Therefore, the experience of chills seems to produce physiological arousal and reward for the listener.
  4. ↑ 4.0 4.1 4.2 4.3 4.4 "Music Cognition Handbook: A Glossary of Concepts". music-cog.ohio-state.edu. Inarkibo mula sa ang orihinal noong 2017-07-31. Nakuha noong 2015-04-14.
  5. ↑ Koelsch S (March 2014). "Brain correlates of music-evoked emotions". Nature Reviews. Neuroscience. 15 (3): 170–180. doi:10.1038/nrn3666. PMID 24552785.
  6. ↑ Blood AJ, Zatorre RJ (September 2001). "Intensely pleasurable responses to music correlate with activity in brain regions implicated in reward and emotion". Proceedings of the National Academy of Sciences of the United States of America. 98 (20): 11818–11823. Bibcode:2001PNAS...9811818B. doi:10.1073/pnas.191355898. PMC 58814. PMID 11573015.
  7. ↑ Wassiliwizky E, Koelsch S, Wagner V, Jacobsen T, Menninghaus W (August 2017). "The emotional power of poetry: neural circuitry, psychophysiology and compositional principles". Social Cognitive and Affective Neuroscience. 12 (8): 1229–1240. doi:10.1093/scan/nsx069. PMC 5597896. PMID 28460078.
  8. ↑ Sumpf M, Jentschke S, Koelsch S (2015-06-17). "Effects of Aesthetic Chills on a Cardiac Signature of Emotionality". PLOS ONE. 10 (6): e0130117. Bibcode:2015PLoSO..1030117S. doi:10.1371/journal.pone.0130117. PMC 4470584. PMID 26083383.
  9. ↑ Goldstein A (March 1980). "Thrills in response to music and other stimuli". Physiological Psychology. 8 (1): 126–129. doi:10.3758/BF03326460.
  10. ↑ Schurtz DR, Blincoe S, Smith RH, Powell CA, Combs DJ, Kim SH (June 2012). "Exploring the social aspects of goose bumps and their role in awe and envy". Motivation and Emotion (sa Ingles). 36 (2): 205–217. doi:10.1007/s11031-011-9243-8. ISSN 1573-6644.
  11. ↑ 11.0 11.1 Maling banggit (Hindi tamang <ref> tag; walang binigay na teksto para sa refs na may pangalang Tingling neuropsychophysiology); $2
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