Tatlong Kaharian: Pagkakaiba sa mga binago
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Ang kapanahunan ng '''Tatlong Kaharian''' <!--------(traditional Chinese: 三國; simplified Chinese: 三国; pinyin: Sānguó) is a period in the history of China,---------> ay isang bahagi ng panahon ng kawalan ng pagkakaisang tinatawag na Anim na Dinastiyang dagliang sumunod sa pagkaalis ng tunay na kapangyarihan ng mga emperador ng [[Dinastiyang Han]]. |
Ang kapanahunan ng '''Tatlong Kaharian''' <!--------(traditional Chinese: 三國; simplified Chinese: 三国; pinyin: Sānguó) is a period in the history of China,---------> ay isang bahagi ng panahon ng kawalan ng pagkakaisang tinatawag na Anim na Dinastiyang dagliang sumunod sa pagkaalis ng tunay na kapangyarihan ng mga emperador ng [[Dinastiyang Han]]. |
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{{Kasaysayan ng Tsina}} |
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part of an era of disunity called the Six Dynasties following immediately the loss of de facto power of the Han Dynasty emperors. In a strict academic sense it refers to the period between the foundation of the Wei in 220 and the conquest of the Wu by the Jin Dynasty in 280. However, many Chinese historians and laymen extend the starting point of this period back to the uprising of the Yellow Turbans in 184. |
part of an era of disunity called the Six Dynasties following immediately the loss of de facto power of the Han Dynasty emperors. In a strict academic sense it refers to the period between the foundation of the Wei in 220 and the conquest of the Wu by the Jin Dynasty in 280. However, many Chinese historians and laymen extend the starting point of this period back to the uprising of the Yellow Turbans in 184. |
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Although relatively short, this historical period has been greatly romanticised in the cultures of China, Japan, Korea, and Vietnam. It has been celebrated and popularised in operas, folk stories, novels and in more recent times, films, television serials, and video games. The best known of these is undoubtedly the Romance of the Three Kingdoms, a fictional account of the period which draws heavily on history. The authoritative historical record of the era is Chen Shou's Sanguo Zhi, along with Pei Songzhi's later annotations of the text. |
Although relatively short, this historical period has been greatly romanticised in the cultures of China, Japan, Korea, and Vietnam. It has been celebrated and popularised in operas, folk stories, novels and in more recent times, films, television serials, and video games. The best known of these is undoubtedly the Romance of the Three Kingdoms, a fictional account of the period which draws heavily on history. The authoritative historical record of the era is Chen Shou's Sanguo Zhi, along with Pei Songzhi's later annotations of the text. |
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The Three Kingdoms period is one of the bloodiest in Chinese history. A population census in late Eastern Han Dynasty reported a population of approximately 50 million,[1] while a population census in early Western Jin Dynasty (after Jin re-unified China) reported a population of approximately 16 million.[1] Even after taking into account possible inaccuracies of these census reports, a large percentage of the population was wiped out during the constant wars waged during this period. |
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Technology advances significantly during this period. Zhuge Liang invented the wooden ox, suggested to be an early form of the wheelbarrow. A brilliant mechanical engineer known as Ma Jun, in the Kingdom of Wei, is considered by many to be as brilliant as his predecessor Zhang Heng. He invented a hydraulic-powered, mechanical puppet theatre designed for Emperor Ming of Wei (Cao Rui), square-pallet chain pumps for irrigation of gardens in Luoyang, and the ingenious design of the South Pointing Chariot, a non-magnetic directional compass operated by differential gears.'''Tekstong matapang''' |
Technology advances significantly during this period. Zhuge Liang invented the wooden ox, suggested to be an early form of the wheelbarrow. A brilliant mechanical engineer known as Ma Jun, in the Kingdom of Wei, is considered by many to be as brilliant as his predecessor Zhang Heng. He invented a hydraulic-powered, mechanical puppet theatre designed for Emperor Ming of Wei (Cao Rui), square-pallet chain pumps for irrigation of gardens in Luoyang, and the ingenious design of the South Pointing Chariot, a non-magnetic directional compass operated by differential gears.'''Tekstong matapang''' |
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Ang panahon na ito ay sinasabing isa sa mga ''digmaang'' panahon sa kasaysayan ng Tsina. Ang populasyon noong [[Dinastiyang Han]] ay sinasabing 50 milyon, pero bumaba at umabot sa 16 milyon noong panahon ng Jin Dynasty. Ito ay dahil sa paglisan ng mga tao noong may digmaan sa pagitan ng tatlong kaharian. |
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{{stub|PRC}} |
{{stub|PRC}} |
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Pagbabago noong 11:38, 25 Pebrero 2009
Ang kapanahunan ng Tatlong Kaharian ay isang bahagi ng panahon ng kawalan ng pagkakaisang tinatawag na Anim na Dinastiyang dagliang sumunod sa pagkaalis ng tunay na kapangyarihan ng mga emperador ng Dinastiyang Han.
Ang panahon na ito ay sinasabing isa sa mga digmaang panahon sa kasaysayan ng Tsina. Ang populasyon noong Dinastiyang Han ay sinasabing 50 milyon, pero bumaba at umabot sa 16 milyon noong panahon ng Jin Dynasty. Ito ay dahil sa paglisan ng mga tao noong may digmaan sa pagitan ng tatlong kaharian.
Ang lathalaing ito na tungkol sa PRC ay isang usbong. Makatutulong ka sa Wikipedia sa pagpapalawig nito.