Susan McEachern
Susan McEachern | |
|---|---|
| Kapanganakan | 7 Abril 1951 Wausau, Wisconsin, United States of America |
| Nasyonalidad | American, Canadian |
| Edukasyon | |
| Website | http://www.susanmceachern.ca/ |
Si Susan McEachern (ipinanganak noong Abril 7, 1951) ay isang Amerikanong artista sa Canada. Kilala si McEachern sa kanyang pagkuha ng litrato, na madalas ay may kasamang teksto. Sinusunod ng kanyang trabaho ang ideyang pambabae ng "personal ay pampulitika," dahil madalas niyang pinagsasama ang mga imahen ng kanyang sariling buhay at personal na espasyo upang siyasatin at magkomento sa mga tema ng panlipunan, kasarian, sekswalidad, at natural na mundo. Si McEachern ay naging isang propesor din sa Nova Scotia College of Art and Design University mula pa noong 1979. [1]
Edukasyon[baguhin | baguhin ang wikitext]
Si McEachern ay nakatanggap ng BA sa Theatre mula sa Hamline University sa St. Paul, Minnesota, Visual Communication / Photography diploma mula sa Banff Center sa Alberta at Master of Arts in Sociology in Education in Feminist Studies at Gender Relasyon mula sa Ontario Institute for Studies sa Edukasyon . [1]
Mga Koleksyon[baguhin | baguhin ang wikitext]
Ang mga likha ni Susan McEachern ay nasa koleksyon ng Art Gallery ng Nova Scotia, Dalhousie Art Gallery, sa Canada Council Art Bank, sa Walter Phillips Gallery, Photographers Gallery, sa Nova Scotia Art Bank, sa Mount Saint Vincent Art Gallery, at sa Canadian Museum ng Contemporary Photography . [2]
Bibliograpiya[baguhin | baguhin ang wikitext]
- Simon, Cheryl (1989). The Zone of Conventional Practice and Other Real Stories. Montreal: Optica.[3]
- Fisher-Taylor, Gail (1991). Thirteen Essays. Ottawa, Ontario: The Canadian Museum of Contemporary Photography.[4]
- Kunard, Andrea (2004). Structures of Meaning. Canadian Museum of Contemporary Photography.[5]
- Gibson Garvey, Susan (1994). Questions of Nature. Halifax, Nova Scotia: Dalhousie Art Gallery.[6]
- Simon, Cheryl (1993). Domestic Subversion: Susan McEachern's On Living at Home. Banff, Alberta: The Banff Center.[7]
- McEachern, Susan (1992). The Creation of Desire. Halifax, Nova Scotia: Eye Level Gallery.[8]
Mga Sanggunian[baguhin | baguhin ang wikitext]
- ↑ 1.0 1.1 "Susan McEachern." Collections. National Gallery of Canada, n.d. Web 18 Jan. 2014.
- ↑ McEachern, Susan (1983). "The Home". Toronto, Ontario: Mercer Union. Inarkibo mula sa ang orihinal noong 2021-05-08. Nakuha noong 2021-04-08.
- ↑ Group Exhibition (1989). "The Zone of Conventional Practice and Other Real Stories". Optica. Inarkibo mula sa ang orihinal noong 2015-04-02. Nakuha noong 2021-04-08.
- ↑ James, Raymonde April ... Canadian Museum of Contemporary Photography. With an introd. by Geoffrey (1990). Thirteen essays on photography. Ottawa: Canadian Museum of Contemporary Photography. ISBN 088884557X.
- ↑ Kunard, Andrea (2004). Susan McEachern: Structures of Meaning (PDF). Banff Center. Inarkibo mula sa ang orihinal (PDF) noong 2014-07-14. Nakuha noong 2021-04-08.
- ↑ Gibson Garvey, Susan (1994). Questions of Nature. Halifax, Nova Scotia: Dalhousie Art Gallery.
- ↑ Townsend-Gault, edited by Daina Augaitis ; introduction by Charlotte (1993). Frame of mind : viewpoints on photography in contemporary Canadian art. Banff, Alta.: Walter Phillips Gallery. ISBN 0920159540. Inarkibo mula sa ang orihinal noong 2016-03-04. Nakuha noong 2021-04-08.
{{cite book}}:|first=has generic name (tulong)CS1 maint: multiple names: mga may-akda (link) - ↑ McEachern, Susan (1992). The Creation of Desire. Halifax, Nova Scotia: Eye Level Gallery.